I found some radio waves hidden in the SV Filter and just went exploring from there. Two OSCs mixed together, going through the SV Filter with some Lopag “drums”.
Showing off the high pass filter’s resonance by playing the mini system from Superbooth 19.
This is an experiment with the self resonating Nyle filter going through the Wasp low pass filter for rumbling bass and then squelching craziness. Another voice explores the CV and IN1 of the Delay module with some random voltages changing the delay time in interesting ways and a kind of drone adding substance to the delayed ping.
All recorded into Audacity on my PC and then fused with the flyover video using the good old Windows Movie Maker.
This Sunday’s patch started with the NAND logic gate which gave me a nice grungy sound when I patched two oscillators through it. Then I used the SEQ16 to control the filter cutoff of the Wasp filter just to see if this was possible. Then added a few other bits and bobs and of course the fantastic Volca Sample for the beats.
I spent some time over the weekend to reorganise my little synth desk and integrated my new Korg Volca Sample with the KeyStep and AE Modular. I then setup the mixer to mix the AE and microphone and send it all to the audio interface so that I can now record my voice and the synth at the same time with my trusty old iPhone 5.
In this video I’m demonstrating how to use the TRIQ164 and how to create a basic patch for percussive sounds that can be triggered.